What a week for Sturgill Simpson – the GRAMMYs, returning to David Letterman, and “Metamodern” reaching 100,000 in sales. And lucky me, I got to see him right in the middle of it all.
(As of this writing, Simpson’s song “Life Ain’t Fair and the World is Mean” is available for free MP3 download at Amazon.)It was a pleasure to see Sturgill play at DC’s 9:30 Club Friday night. This was Simpson’s third DC-area show in the past 18 months and his second since hitting it big – and the 1200-capacity venue was beyond sold out. Tickets were $20 face value but climbed as high as $150 on StubHub. Very few shows are worth that much, but Simpson certainly delivered a helluva evening.
The 9:30 Club’s audience skews younger, especially since it’s almost entirely standing-room only. The crowd was a mixture of country natives living in the city, like the friends I was with, and DC hipsters. But no matter who’s in the audience, it is – just 17 months after watching Sturgill and the band play a free show in a BBQ basement to 100 DC residents – a real delight to see 1200 folks all sing along not just to songs from the new hit album “Metamodern Sounds in Country Music” like “Long White Line” but also older “High Top Mountain” tunes like “You Can Have the Crown” and “Old King Coal.”
The band seems a bit shell-shocked by their rapid rise, which Sturgill acknowledged when they came out for an encore – I’m paraphrasing here, but, “It was just three, four months ago we were still playing bars where backstage was the table next to the stage, so we’re still getting used to this encore thing.” A genuine tone, but said with a smile. I chatted with one of the band members afterwards and he laughed about the ascent, acknowledging that it was strange and a whirlwind – but they do seem to be taking it in stride, having a ball, and producing solid music. The instrumental jams and solos were longer than on the albums, as you’d expect, and they were great. Laur Joamets, Sturgill’s Estonian guitarist, absolutely blew the crowd away. And the loudest applause of the night came during “Life of Sin” each time Sturgill sang “The boys and me still working on the sound.” Sturgill said they were all bouncing back from a cold, but after warming up on the first tune, you could never tell. Solid show. (There were only one or two new songs, and their sound wasn’t particularly different, so no preview of the next album yet.)I’ll mention two tiny negative things. I don’t mean them as criticism but I’d like this blog to feel like something more than constant free advertising for Sturgill – seems like half my posts are little more than me gushing about his music. First, it was an energetic show for sure, though some slower songs like “The Promise” were definitely included – but I would have loved to also here “Hero” and “Panbowl,” two of my favorites. But you gotta play to the crowd. Second, I think the sound levels might have been a little off. If I hadn’t already known the words it would have been tough to understand some of them. Then again, that’s bizarrely just how some people like their shows.
The opener, Anderson East, played a short set and I was held up at the venue’s bar, so unfortunately I missed him, but his first LP comes out later this year – let’s give him his due here: