My girlfriend adores Emmylous Harris (as do I), so sharing Emmylou’s cover of this blog’s namesake song seems an appropriate way to mark the first full week of the new year.
A more classical rendition than many. Chenoweth has such a beautiful voice.
An early Merry Christmas to you – this 1993 tribute from Bob Dylan to Willie Nelson for Willie’s 60th birthday is pretty great.
Learn more about this 2013 cover from Sam Beam at Rolling Stone
This Thanksgiving and every day, I’m thankful for a good Boss.
With a beautiful candles backdrop, perfect for the Sabbath day. If you haven’t heard these girls before, you’ll love them:
A bit more Lennon & Maisy for good measure:
Wednesday night, country rocker Chris Stapleton took the Country Music Association Awards by storm with a clean sweep for the independent and underground country movement with his album “Traveller.”
I’ve been meaning to review Traveller for months. I’ve never blogged as much as I’d like to and grad school makes it even tougher, but here it is, the long-overdue Hard Times No More review of Traveller:
3.75 whiskey bottles out of 5.
You’re asking, WTF? Empsall, did you drink the other 1.25 bottles?
Well, it is the best album I will ever give less than a 4. I give it 3.75 only because of this blog’s lens. If current country radio is the standard, then Traveller definitely gets a 6 out of 5 – let the whiskey overflow across the floor. If good music in general is the standard, 4.5 out of 5. It’s great stuff, but I’m looking for solid country and Americana music that stands up within the genre. On that particular front, this album is track by track. There’s nothing bad, but not really anything that really knocks me out, either. This is a good album, I like Chris Stapleton as a musician, but for this genre, while it’s really good, it’s also overhyped. I also think there’s a certain storytelling element lacking here that’s usually found on the best country albums. There’s a musical theme, but not quite the lyrical one I want.
Don’t get me wrong. I am thrilled Stapleton swept the CMAs. A talented songwriter for pop-country artists who’s also immersed in the bluegrass and traditional country worlds yet is not a pure traditionalist is probably the only workable bridge between the underground and the mainstream, and as I wrote yesterday, Stapleton’s wins give country fans more hope than we’ve had in a decade.
But as for the album itself – for me, it’s a mix. Stapleton’s voice is a bit like Travis Tritt with a twist of Sam Cooke or maybe even Leon Bridges. But while those folks are great and I wish I could stretch a high note like that, it’s not what you expect. If you don’t mind that, if all you want is great music regardless of type, very cool, definitely put the album in your heavy rotation. I certainly enjoy it. I like this album – I’m just reviewing it as a country album. And Stapleton himself, who’s been in Southern rock and bluegrass bands, both genres that I love, has said he doesn’t want to stay in one box.
Producer Dave Cobb can do no wrong, and the album is well produced with a good vision. It’s a little slicker than Cobb’s work with Jason Isbell, Sturgill Simpson, Nikki Lane, Shooter Jennings, etc., but a good vision nonetheless.
My two favorite songs are “Fire Away”, co-written with Danny Green which shows off Stapleton’s wide range and solid tenor voice while staying in a country style, and “Whiskey and You,” co-written with Lee Thomas Miller, and recorded previously by Tim McGraw and Jason Eady. Eady’s cover is one of my favorite songs. Great guitar on both.
“Parachute,” co-written with Jim Beavers, feels like a Bob Seger tune covered by Chris LeDoux. Southern rock, not country, but I dig it.
I really want to like “More of You.” It’s so close to being my favorite, but ultimately misses the top tier. I love the songwriting, the slow melody, the beautiful vocal duet with his wife Morgane, and the Willie Nelson style harmonica. What I don’t love, oddly enough, is the mandolin. Just lightly strumming away on the same couple chords the whole time, it gives the song a high pitch that makes it feel too light. It also feels bluegrass, and while I love bluegrass, that doesn’t seem what this song wants. It should’ve been an octave lower on an acoustic guitar, I think. But I will say this, it grows on me every time I hear it.
The only song I straight up don’t like is “Tennessee Whiskey,” a cover of the Dean Dillon/Linda Hargrove song. I LOVE the song. I heard Jamey Johnson sing it live last month, and it was amazing. I sing it to my girlfriend. Hat’s off to George Jones. But this is a bizarre bluesy cover. Why cover a country classic like a blues song… on a country album? It’s talented, but it feels very out of place. And Stapleton can certainly sing smoothly enough to nail a “smooth as Tennessee whiskey” version.
“Traveller” is a good album. You should buy it. It’s the CD Travis Tritt wishes he had released in the 1990s – he could have done that great cover of “Was It 26”. In a broader sense, it’s certainly another Americana triumph for Dave Cobb. I think it’s immensely overhyped, but it is good, I will listen to it again, I would love to see Stapleton live, and I am so grateful for all that it has accomplished for true fans of true country music. Trigger said it best: “It certainly is something to be taken as a very good sign, even if you’re just ho hum on Stapleton.” Yup, that’s me, but I’ll echo this as loudly as I can: “It’s a win for music of more substance, regardless of who made it, and what style it is.”
This week’s version of Hard Times Come Again No More by Stephen Foster is the first one I heard, the one that turned me on to the song, it’s enduring message, and it’s graceful beauty. Here is James Taylor with Yo Yo Ma, Edgar Meyer, and Mark O’Connor.
I’m going to try and start a regular series here, and post a different version of this blog’s namesake song each Sunday – Stephen Foster’s “Hard Times Come Again No More,” from 1854. To kick things off, here’s the legendary Mavis Staples.