Steep Canyon Rangers

The Steep Canyon Rangers head down that road again on “Radio” – an album review

Few bands mean as much to me, emotionally and personally, as the Steep Canyon Rangers, so I was excited when the band released their ninth studio album two weeks ago. “Radio” was produced by legendary dobro player and fellow-GRAMMY winner Jerry Douglas, who also plays on the album.

You need to buy this album, if for just this one reason: Graham Sharp’s “Down That Road Again” is one of the best new songs I have heard in a long time. In fact, if you don’t count Jason Isbell’s songwriting, it might be THE best new song I’ve heard in years.

The Steep Canyon RangersThe song, with Graham on lead vocals, feels like someone who is finally standing on firm ground but hasn’t forgotten the pain of the past and uses it to warn himself against an imminent fall. The climax of the chorus particularly resonates with me – “Right now I need the kind of friend / Who won’t let me go down that road again.” I have a few friends like that, and there’s almost nothing in this life that I am more grateful for than them. (Waves at Diana and everyone else.) I also like the line “There is a man who looks just like me… If you see him ’round won’t you stop and say It’s not too late.” It reminds me of one of my favorite Isbell tunes, “Live Oak.” We all have those hollow, moments when we feel driftless and unmoored from ourselves.

Empsall and Sharp

The author and Graham Sharp

The music on “Down That Road Again” is every bit as important as the lyrics. It opens with a slow, moving intro from Douglas on steel guitar and best-in-the-business Nicky Sanders on violin (and it really is more violin than fiddle here). But what really gets you is the tight harmonies on the chorus – the slide on “Right now” takes my breath away every time. Douglas certainly deserves producer props for that, as do engineers Julian Dreyer and Clay Miller at Echo Mountain Recording. While the Steeps’ albums have always been great, like most bluegrass bands, the harmonies just don’t come across nearly as well recorded as they do live. “Radio” starts to fix that, and not just on “Down That Road Again” – though this song in particular is one of those moments that really reminds us why music exists. I’m not afraid to say it: This song makes me cry. Thank you, Graham.

Radio is certainly a good album worth a spot in your rotation. That said, aside from “Down That Road Again” and another Sharp tune, “Wasted,” I think I actually prefer both 2012’s amazing GRAMMY-winner “Nobody Knows You” and 2013’s “Tell the Ones I Love.” But don’t get me wrong! This is a good album, and I’ve listened to it half a dozen times already. Other highlights include “Blow Me Away” (embedded below), “Long Summer,” and, if you’re looking for feel-good nostalgia, the title track.

As with the other two Rounder albums, there’s one upbeat instrumental track written by mandolin player Mike Guggino (“Looking Glass”) and 11 solid bluegrass songs – seven by Graham Sharp, three by bass player Charles Humphrey (including two with frequent songwriting partner Phil Barker of Town Mountain), and one from lead singer Woody Platt and his wife Shannon Whitworth. While Woody’s distinctive smooth voice remains lead on seven songs, Graham takes lead on four (in addition to prominent harmonies), which is more than the last two. Since Graham’s voice is deeper with a bit more edge to it than Woody’s, this makes the album’s sound slightly rougher than fans might be used to.

Woody Platt and the author

Woody Platt and the author

But on the uptempo side, the Platt/Whitworth song – “Break” – was a nice surprise, as Woody didn’t write anything on the last two albums, and it features Whitworth alongside him on vocals. That said, it’s always a little chilling, and intimate in an uncomfortable way, to hear a married couple sing about breakups (I’m looking at you, Bruce Robison and Kelly Willis!). But, I suppose that speaks to the strength of the couple, doesn’t it?

There’s one other new thing about “Radio.” Percussionist Mike Ashworth has been touring with the Steeps for a couple of years, but this is the first time he’s recorded with them. While I’m often a purist, I’m perfectly okay with the drums here. The Steeps may have a more traditional sound than some of the other young bluegrass bands out there right now, but Ashworth’s drums, like Woody and Graham’s vocal styles, show that the band is willing to experiment in ways that push the format without breaking it.

4 whiskey bottles out of 5 for 2015’s “Radio.” Given the strength of the last two albums, I might go with 3.5 before 4.5, but I can’t wait to head back to DC and see the band again next month, and if this were a song review instead of an album review, “Down That Road Again” would get 6 whiskey bottles out of 5. You can buy the album on the Steeps’ website.

They Tore It Up! – A Concert Review: The Steep Canyon Rangers, 05-30-14

A FREE show from one of my all-time favorite bands just a half mile from my house? Yes, please!!!

Last night, the Steep Canyon Rangers gave one helluva bluegrass performance to close out the Library of Congress’s free concert season. (No, the brilliant Steve Martin wasn’t there, but let’s remember – the Steeps were nominated for a Grammy with him, but won one without him!) Also performing were Grammy nominees Dailey and Vincent, whom I will review in a separate post, and Irish traditionalists Donna Long and Jesse Smith.

Though I’d heard a little from the Steeps before last January, they didn’t really come to my attention until then. I was going through an extremely hard breakup with the woman I thought I was going to marry, and was working about 70 hours a week. I needed an escape – badly – so I threw work in the trashcan for an evening and went with a buddy to see the Steeps at the Birchmere.

For those few hours, everything was okay, everything felt right again — it was the first time in months that I had been truly happy for more than a few minutes. As I noted in the essay that kicked off this blog, music has always been there for me in my tough times – and for their part in that, the Steeps will forever hold a special place in my heart.

This weekend marked my fifth Steep Canyon Rangers show in 16 months, and that feeling of truly being at home during them has never gone away. By that, I don’t just mean it feels comfortable; it’s more than that. It feels right – like coming home after travel. When an SCR show ends, instead of saying “Time to go home!” I say, “But it’s too late to go out again!”

Steep Canyon Rangers fiddler Nicky Sanders with the author, Nathan Empsall. April 2013.

Even with lasting sadly less than an hour, last night’s concert was as phenomenal as ever. The LOC crowd was the first I’ve seen that didn’t laugh at the opening line of the opener “As I Go” – “I always try to do what’s best, I’ve mostly done the opposite.” But by the finale, when Nicky Sanders tears up “Auden’s Train” with the best damn fiddling you’ll ever see, they sure were howling at his classical music riffs. Graham joked that Nicky was going to steal one of the Library’s famous instruments – “Stradivariuses? Stradivarii?” All of the band is amazing at what they do, so I hate to single out any one of them as the most talented – but as grave an injustice as that is to the rest of the band’s superb talent to say, it would be an even graver injustice to Nicky NOT to say it.

There are a lot of great coal songs out there, but “Call the Captain” is probably my favorite – plus it does a great job showcasing Woody Platt’s smooth vocals. Speaking of Woody, his guitar broke a string at one point, but he compensated extremely well for the rest of the song. Bravo, sir.

I’ll even applaud the band’s drums. What? Drums in a bluegrass band? Well, yes – the Steeps are a great cross between bluegrass and newgrass, pushing the limits but still respecting the genre, and in that spirit Mike Ashworth joined on drums last summer. They worked particularly well as retroactive additions to “Rescue Me” and the instrumental “Knob Creek,” and are an integral piece of the latest album’s title track, “Tell the Ones I Love.”

When all was said and done, the Steeps received a thunderous standing ovation that didn’t let up until they all came out for a well-deserved curtain call.

Nathan Empsall and Graham Sharp

The author, Nathan Empsall, with Steep Canyon Rangers banjo player Graham Sharp. May 2014.

I only have two small negative things to say. The first is that I think the bass was mixed a little too loud, especially in the beginning. (Also, it’s just now occurring to me that the Charles, also a prolific and talented songwriter, doesn’t get that many bass solos – hopefully that will be corrected on a future album!) Second, I really wish they had played “Between Midnight and the Dawn,” which was actually a runner-up for the title of this website. But the show was free and those are minor quibbles – the first and perhaps only negative things I’ll ever say about a Steep Canyon Rangers show!

If you’ve never seen the band life, you MUST. Obviously many groups are better live than recorded, but it’s amazing just how true that is for the Steeps. Don’t get me wrong, I love their albums – Nobody Knows You absolutely deserved that Grammy – but the two best things about the band just don’t come through as well in the studio. That’s how amazing Nicky Sanders is on the fiddle, and how wonderful Woody Platt, Graham Sharp, and Mike Guggino’s vocal harmonies blend together. Go. See. These. Guys.

The Library of Congress as a venue was a good thing, too. The band seemed truly honored to be there, including talking in the lobby afterwards. It certainly helped lift my spirits a little bit once I got to thinkin’ about it. By day, I work in politics, and I’ve grown a lot more cynical since moving to Washington. But sitting there in the middle of the Capitol complex, experiencing great American music with a diverse and appreciative crowd right in the historic place, everything that’s wrong with our society ceased to matter for a little while as the best things about what makes us us were put front and center. That’s what music does.

The Steep Canyon Rangers are Woody Platt on lead vocals and guitar, Graham Sharp on vocals and banjo, Nicky Sanders on fiddle, Mike Guggino on mandolin and harmony vocals, Charles R. Humphrey III on bass, and Mike Ashworth on drums.

The Washington Folk Festival is this weekend!

If you’re in the Washington, D.C., area, be sure to check out the 34th annual Washington Folk Festival this weekend, just outside the District at Maryland’s old Glen Echo amusement park! The festival runs from noon – 7 p.m. on both Saturday and Sunday. There are all sorts of crafts exhibitors, a storytellers’ stage, and a Spanish ballroom, but more importantly for this writer and website, dozens of musicians stretching many genres, particularly bluegrass and folk. I’ve been before, and it’s a great time.

I was reminded of the festival a couple weeks ago when I walked to Eastern Market after church. I was in a bit of a hurry to get to afternoon events, so I thought I was going to just hit up the butcher counter and get out of there – but then I heard blugrass strains wafting across the plaza from the flea market, and dammit the weather was just so nice. So thanks to King Street Bluegrass, I spent about half an hour longer on 7th Street NE then I intended to.

They played a little bluegrass and a little blues, and let us all know that they’d be at the upcoming Folk Festival. They may not be the Steep Canyon Rangers* (I mean, who is?), but if every city had a bluegrass band like King Street Bluegrass, we’d all be sittin’ a little higher on life’s hog. These are the folks you want playing at whatever event it is you’re holding, so be sure to check them out this weekend (3:15 on Sunday at the Cuddle-up Stage) along with all the other performers at the Washington Folk Festival in Glen Echo.

*Speaking of the Steep Canyon Rangers, they’ll be in D.C. tonight too – for free, along with duo Dailey & Vincent and Celtic performers Donna Long and Jesse Smith! WHY is this not the headline of the post? Because while it’s a sold-out show at the Library of Congress, there is a limited number of FREE rush tickets available at 5pm for the 7pm show – and I don’t want you to beat me there to get them. ;)